25,757 Royalty-Free Audio Tracks for "Midi Files Of Piano Music"

5-33 pentachord on C

6-2B hexachord on C. Inverted version of 6-2A.

7-30A heptachord on C

4-17A tetrachord on C

5-26A pentachord on C

8-19B octachord on C

5-4A pentachord on C

8-4B octachord on C

4-19A tetrachord on C

4-16B tetrachord on C

8-29ZA octachord on C

5-3B pentachord on C

5-8 pentachord on C

6-46ZB hexachord on C

8-3 octachord on C

6-31B hexachord on C

6-7 hexachord on C

5-28A pentachord on C

4-18B tetrachord on C

9-4B nonachord on C

Chord progression with a borrowed chord second: v or Gm in C major.

6-25ZB hexachord on C

7-23B heptachord on C

7-34 heptachord on C

7-28A heptachord on C

3-3A trichord on C.

5-10B pentachord on C

9-8A nonachord on C.

5-18ZA pentachord on C

10-1 (chromatic) decachord on C

6-20 hexachord on C

8-13A octachord on C

5-38ZB pentachord on C

8-14A octachord on C

9-1 nonachord on C. Chromatic nonachord.

3-1 trichord on C: [0,1,2]. Chromatic trichord.

5-25A pentachord on C

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

5-32A pentachord on C

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

6-16B hexachord on C

7-32A heptachord on C

8-19A octachord on C

4-6A tetrachord on C

5-7B pentachord on C

interval unison melodic

4-23 (quartal) tetrachord on C

7-10A heptachord on C